Greetings, and Happy New Year!

I know the good wishes are a bit late, but on the other hand, I don't like to bombard my readers with newsletters just as they're getting over the Holidays—and yet I don't want to miss wishing you the very best for 2019.

This is a very big year for Maisie Dobbs. On March 26th both THE AMERICAN AGENT and WHAT WOULD MAISIE DO? will be published—and I am so very excited about it.

AMERICAN AGENT   What Would Maisie Do?

First of all—THE AMERICAN AGENT. I have loved writing every single one of my novels, yet each has been a quite different experience. I have been able to bring together my interest in the history of the era I write about, with elements of family stories, personal experiences, my research, and the narrative I've created around the character of Maisie Dobbs and the "family" of characters in her world. Each book has flowed in a different way, so the writing was a journey in itself—a pilgrimage during which I learned more about the characters and more about who I am as a writer. Sometimes I feel as if the characters are leading me, beckoning me to go here or there as the story unfolds, and at other times, I'm doing the leading.

Maisie Dobbs

As I wrote THE AMERICAN AGENT, I was being pulled back into my mother's many stories of the Second World War, and I confess on some days that was a very dark place to be spending time. I was reminded of those stories while visiting my aunts, who also recounted their experiences to me—as evacuees sent to the country from London, and as civilians bombed out of one home after another when they returned. Those stories have informed my understanding of that time from the perspective of ordinary people—and it was the challenges facing the ordinary people impacted by the Blitz in Britain that the American "warcasters"—people such as Edward Murrow—wanted to communicate to their countryfolk on the other side of the Atlantic. I have always had high regard for war correspondents, so it's not surprising that the untimely death of a war correspondent becomes the focus of Maisie Dobbs' investigation in THE AMERICAN AGENT. Catherine Saxon was not based upon a specific war correspondent, though over the years I have read many memoirs and biographies of women war correspondents from WW1 to the present day.

Clare Hollingworth
This is Clare Hollingworth—one of my favorite WW2 war correspondents. At age 28 Hollingworth broke the news of Hitler's march into Poland and the outbreak of Ww2—it was described as "the scoop of the century." Catherine Saxon has something of Hollingworth's pluck!

WHAT WOULD MAISIE DO? is the non-fiction book that readers have been asking for since I first published MAISIE DOBBS. It was some fifteen years ago that readers first began to inquire if I would bring together a book of "wisdom" from Maisie and her mentor, Dr. Maurice Blanche. I always replied that it wasn't something I could see myself doing—I didn't think I had enough material. And as each novel was published, so the question came up again. Increasingly readers shared their stories with me, describing how this or that passage in one of the novels had helped them get through a difficult time, perhaps holding them fast while enduring a period of mourning. And another phrase kept cropping up. "When I don't know what to do about a problem, I ask myself, 'What would Maisie do?"

Then almost two years ago something happened—the catalyst for my getting to grips with the project. I've written about it recently on my Facebook page, and the story is repeated in the WHAT WOULD MAISIE DO? acknowledgments section, plus it will appear on the dedicated website for the book, so I won't repeat it here. But I began to plan WHAT WOULD MAISIE DO? and to write the content. I asked readers to share with me their most beloved passages from the series, and to tell me why their choice had a resonance for them—and so many of you responded. Together with my own favorite lines, I whittled the list down to 28 passages, and for each one I wrote about the inspiration for the passage, and what Maisie might ask you, the reader. And because I realized I wanted it to be a "living document"—one that readers could contribute to—journaling pages follow each section, so you can work with the piece, rendering the words a more personal point of inspiration, or a reminder that even through the best and worst of times, you can endure and have an innate resilience to draw upon. Other sections include information on places featured in the novels, and something about how the writer uses clothing, public transport and motor cars (for example) to give a sense of time and place. You'll also find some of the most beloved epigraphs that have opened books in the series—each with a question for you, the reader.

Maisie Quote
From WHAT WOULD MAISIE DO?—in the book it's followed by my interpretation, a question for the reader, and space for journaling.

On February 14th—about six weeks prior to publication—we'll be launching Once the full site goes live on February 14th, you'll be able to join the Maisie Dobbs community of readers—to share your experience of reading and responding to Maisie's questions. It's a way to meet other readers who are working through passages from the novels. WHAT WOULD MAISIE DO? is beautifully illustrated, with photographs and images to accompany each section—it's a production I could only have dreamed about when I first began to work on the book. Here's one of my favorite images from the book, courtesy of the Lost Art of Nursing Museum in Cannon Beach, Oregon. Some years ago I was invited to give a presentation on nurses in WW1 by the founder of the museum, Melodie Chenevert, and when I saw this image among many in her collection, I felt as if I had stumbled on a photograph of Maisie Dobbs in the Great War.

Maisie Nurse
Could this be Maisie Dobbs?

My next newsletter will be distributed in February—and I'll be telling you a little more about the "real life" characters who pepper THE AMERICAN AGENT. And I'll also have the final line-up of events on my book tour in connection with publication of the two books.

Until then...


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